- #Mac audio input line in vs firewire driver
- #Mac audio input line in vs firewire pro
- #Mac audio input line in vs firewire plus
- #Mac audio input line in vs firewire professional
Frequently the Minerva would mysteriously become unselected as an output device and silence would ensue. This was a pleasant change from the Minerva, which I used prior to the DAC 202’s arrival. During its time in casa Stone the 202 has had zero connectivity issues. My ergonomic impressions of the DAC 202 were overwhelmingly positive. If you don’t have a FireWire-enabled computer you can still use the DAC 202 via its S/PDIF RCA or AES/EBU digital inputs. If you insist on using a Windows machine, the DAC 202 can oblige. The setup for Windows is a bit more involved, but not demoralizingly so.
#Mac audio input line in vs firewire plus
Finally I opened iTunes plus either Amarra or Pure Music and began playing any and all of the digital music files in my library. Next I selected the Weiss as my audio device via Apple’s Sound preferences in the system preferences file.
#Mac audio input line in vs firewire pro
After downloading and installing Weiss’ latest FireWire driver, I connected the Weiss to my Mac Pro via a standard FireWire cable and then connected the DAC 202 to my amplifiers via analog XLR connections.
#Mac audio input line in vs firewire driver
It’s coupled to a minimalistic signal path that uses only current-to-voltage converter and a balanced driver as active devices. But the DAC 2 and 202 do have some of the same digital parts, including the 32-bit DAC chip.” The 202’s analog circuit uses an ESS 9018 DAC chip configured for two converter channels per one analog audio channel. In addition the DAC 202 has a remote control, headphone output, and a digital word clock input/output. How does the DAC 202 differ from the DAC 2/Minerva? According to Daniel Weiss, “The DAC202 has a completely different analog section.
#Mac audio input line in vs firewire professional
The DAC 2 is still part of Weiss’ professional line-up, while the Minerva is not. Anyone who wanted a Minerva bought a DAC 2 and naturally Minerva sales suffered as a result. Everything inside the Minerva was identical to the DAC 2 and the DAC 2 was $2000 less. The reason for its lack of sales was simple: The Minerva was a Weiss DAC 2 with a different front panel. The Minerva was a glorious flop-beautifully made, wonderful sounding, it sold like ice water in northern Alaska. The DAC 202 is the second consumer FireWire DAC from Weiss. employs five full-time employees in its engineering department. To support this level of innovation, Weiss Engineering Ltd. In 2001 Weiss introduced its first consumer D/A, the Medea, followed in 2004 by the Jason transport. Sony, BMG, EMI, Warner, Hit Factory, Abbey Road, Teldec, Telarc, Gateway Mastering (Bob Ludwig), Bernie Grundman Mastering, Masterdisk, and Sterling Sound, all use Weiss units in their mastering suites.
In the early 90s Weiss Engineering brought out its Gambit Series, which included a stand-alone equalizer, de-noiser, A/D unit, D/A unit, and sampling frequency convertor. Weiss’ first product, the 102 system, is still current with 96/24 capabilities.
Based on his experience working on digital products for Revox, Weiss decided to concentrate on the design and manufacture of equipment for mastering studios.
Another name on this pro/con manufacturers list is Switzerland’s Weiss Engineering.ĭaniel Weiss founded Weiss Engineering in 1985. Some companies such as Bryston, EMM, and Manley have been creating components for both markets for years. As high-end consumer audio systems become more like pro studios and higher bit-rate digital files on hard drives become more common, it should come as no surprise that the differences between pro audio gear and consumer audio gear are shrinking.
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